The Tune Inn Jam Review

The Tune Inn Jam - Thu. 26/2/9.

If there is anyone with an ego problem that is just checking in to see your name in lights and your name is not Jan, then look away now. Despite a critical mauling for the last time I highlighted just one player at the Jams, I really don't see that I have any option here. If anyone ever stole the show and made off with it on a horse whilst shooting over their shoulder at desperate pursuers, then it was Jan and his magic fiddle. By the time he hit the stage I had already considered this to be the second sucsessfull Jam of the week, with a nicely packed house and everybody in a good and lively mood. Variety was also show cased here tonight with a new trio of Jazz fusion newbies who were excellent players, and also an accoustic guitarist who was backed by Paul and Kris, for a couple of numbers, and our regular assortment of Blues and funk regulars. No body played below par and in some cases were right on it and playing with great verve and vivacity. Then, up stepped Jan. Not just Jan, of course, we also had Paul on Drums, Kris on Bass, Voytak and George on Guitars and Big Sean on vocals. Their first number was good enough but the second was something special. Absolutely true to the Jammin' spirit, they made up a riff whilst Sean made up a lyric. And Jan made up his mind that he was going to go for it. Over 8 - 10 manic minutes the stage was alight with a guitar and fiddle inferno, (sounds like the name for a good compilation album). Voytak, Paul and Kris kept the whole thing grounded in reality whilst Sean improvised and vocalised and George and Jan went out on a trip that travelled the spaceways. It's not easy to put across just how well received this particular flight of fantasy was. All played their part, and excellently too, but Jan just took it to another level. The place errupted when they were through and everyone was shaking his hand as he came off stage. Quite honestly, if this had been Jools Hollands 'Later' then this guy would have record company execs beating down his door by the next day. I made sure that I mentioned it from the stage and it's only fair to re iterate it now, - the band played their part. George in particular with his close up sparring with the fiery fiddler and Sean for being able to keep up a constant supply of words whilst generally cajoling the band to ever greater exhortations and, indeed, excitations.
Well, how do you follow that? Full marks to those that got up and gave it their all, and fuller marks to Moby and Stefanos who played a magnificent instrumental to bring the evenings jammin' to a close, before the return of the house band. Any other night and their set would have been the highlight. Moments like this are rare, they only come along once in a while, I feel sorry for those that missed it. These are not my words, (but could be), but came from 3 different sources, on the night. The bar staff were whooping it up, all jammers watching were mesmerised and the band on stage were having the time of their life. What more could you possibly want?

See you next time, it could be exciting. ................Neil.

The Drayton Court Jam 24/02/09.

Blues Violin? Do we have any other examples of this that we can think of? Jan, from poland, certainly shook the place up this week with his extraordinary playing. He made a welcome addition to the house band and his enthusiasm was noted. He was set up and ready to play before we were! His efforts on 'Stormy Monday' were particularly impressive and of course meant that there was another solo to fit in. Thank goodness that Myself and Kris aren't bothered about that sort that of thing, otherwise one song would go on all night. I am, however, happy to watch others indulging, especially Drum solos, of course. I always marvel at the technique involved and the way that different players have totally different styles of solo. One thing though. - Have you ever seen a Charlie Watts drum solo? The Big Figure, sticksman for Dr Feelgood? Al Jackson? No further comment m'lud.
This actually was a very good nights entertainment. Quite a few new faces and all very capable indeed. The room was nicely full with a good few in just to watch. This is just about right. Totally manageable and an audience to play to. Good set after good set, very interesting stuff going on. Stan, (Vox, Guitar), Helen, (Bass), Voytak, (Guitar), Jan, (Violin) and Bhavesh, (Drums), gave us some excellent Blues and it was really good to see Bhavesh get a good set under his belt. Solid, no frills backing whilst those in front of him made themselves very popular with the audience. Good choice of songs too.
"Everybody needs a shot of R'N'B, so come on down to my surgery'. Yes, Rick started his set with a dedication to Dr Crotchet and then rolled out THE finest Doctor song ever. ' Down at the Doctors' By the Feelgoods. Thanks Rick, I will pass on your regards to Dr Crotchet. He's a good friend of mine. Incidentally, did you know that Lee Brilleaux once revealed in an N.M.E. interview that he based his singing style on Howling Wolf. He loved that growl in his voice and was determined to emulate it. Rick's band of rockers and groovers really moved things along during their stint and his bandmates, Alan, Saal, Jack and Paul made for a fine outfit. Mind you, I am determined to elbow Paul off the stool for 'Brown Sugar' when it finally happens.
Rupert introduced us to a new face, Mark on Bass and again we had some more good groovin'. Quality is on the up and when Rupert is with the right people, there's none better. Everybdy knows this to be fact.
Jerome has obviously come to an independent decision. The Drum kit needs replacing and he feels that he is the one to finally finish it off! What a display of absolutely awesome power. Graham, obviously gets on famously with him, musically speaking, and there was some great interaction with Mark on Bass and Jan again on Violin. Explosive stuff.
I need to mention a guy who is everpresent but I sometimes forget to give a nod to. Graeme Harper. Despite still being left in the dark when it comes to people telling him what song they are about to play, he is here and there throughout the Jam and always giving it the max. I see that he now also has a rather tastefull study lamp behind him in an effort to illuminate his prescence.

So, in summary then. Scorching, with clear skys and no clouds. A little damp in the trouser area but clearing up around midnight. The outlook - bright, and breezy with no reported fog patches.

My names Neil Pearce .................Good night.

The Tune Inn Jam - 19/2/9.

Like the fellow who says "I don't no much about art, but I know what I like", I can honesly say that I'm no musician but I Know what gives me a good feeling, when I hear it. (Not as snappy, I know). I also know what I don't like, and that is empty venues. We've a good few regulars missing at the moment and I'm wondering where they all could have got to at once. Are they on holiday? Perhaps they have got together and are running an alternative Jam on a cruise ship in the caribbean. (Well, could happen). Anyway, back to what I DO like and the two are not disconnected. How do you folks find the enthusiasm to knock out joyful, exuberant music when you haven't an audience to play to? Examples? - Stan, Phil (on Bass) and Graham G doing 'Born under a bad sign'. It started out slightly sluggish as (dare I say it), it had the wrong rhythm, and didn't flow. But a few running adjustments later and it settled down nicely. Just in case it settled in TOO nicely Graham pulls out another trademark edgy, steely, full on six string showdown. He may have noticed that it was a full 3 seconds after he returned to vocals that the applause came. I think it was because we we were stunned. Out of nowhere these things sometimes come. What about Moby? Like Paul last week, he was every where tonight and when the playing is as good as this then the others were queing up to invite him to join them. His playing throughout the evening was top drawer but on 'Good lovin' his sparring with Graham was magnificent, and with Kris now back on Bass and Stan given an extended stay on the drum stool this was sheer delight. Quite possibly the best Drum solo I have ever seen at the Jams, I could easily write a page about it alone. Totally fluid, the tempo never wavered and and there was so much technical stuff going on with all four limbs, I could have wept. Guess what? He never managed a smile.
More? What about Phil with Paul and Kris putting out a powerfull, 'Gimme some loving', and breaking in to 'Day tripper' in the middle. I know, it's hardly revolutionary, but it was tossed in with such a casual attitude and with such relish that it was obvious that he was enjoying himself. Pauls drumming once again really drove this song along.
Early on, Tim, Kris, Moby and Igor performed a tight set, (it's easy to forget that this is Jammin') and Tim proved that there are many talented Drummers at the Jams. With guys like this behind them, the Geetar men can safely go to work. Tim was, though, slightly undone by 'Mystery train' with Gary on vocals. Tricky rhythm, I always admire those that do it well, as I can't.
House band? Hit and miss, much more hit than miss, Gary on very good form, guests also.
One more thing, - Moby, Chester and Jovan on the same stage? It's like having George Best, Rodney Marsh, and Bobby Moore in the same team. (hang on, didn't Fulham do that in the 70's?). And again they looked like they were enjoying themselves, which brings me back to my original point. Hats off to you lot and Mel and Mandie too for brightening up an empty room. It makes it easy to write this stuff.
To top it all off, Graham told me a very funny story about his Jam experience on Tuesday. It's confirmed, all drummers are either mad, insecure or raving lunatics and possibly all three.

2 Jams with '3 Leg dog' next week. See you there? ...................Neil.

Tue 10th. The Drayton Court.
A fairly straightforward evening, (no ego problems, no stolen guitars and no erotic dancing), but a couple of stand out moments caught my ears and eyes. ' Blue Monk' Is a fantastic tune regularly brought to the Jams by Graham and rarely performed better than here tonight. Now, on drums, you could have Sam the man play this in his sleep, or how about Victor? Or Chao, or Jerome? All good, but all would bring a modern, punchy, new school techique to the performance. If you want vintage Jazz style with just the right amount of weight to the Bass drum kicks and perfect strokes and jabs from the left and right hands, then there's only really going to be one option. Chris Martin. Arguments could go on all night about who's the best drummer at the Jams or the most talented, but really it's all about horses for courses. This course, needed this thoroughbred. Very enjoyable and G, Stefanos, and Des were able to stretch out, knowing that what was going on behind was going to stay constant and reliable. No surprises, just a great Jazz groove.
Rick managed to squeeze in two sessions, tonight, and his second visit to the stage was also a highlight, a good powerfull set and with the benefit of newbie Adam on keyboards. Here is a guy who really knows how to work that Hammond sound to maximum advantage. With Jovan on Bass and Jerome on Drums, this was always going to be a tight performance, leaving Rick and Adam to entertain. Which they did. Top stuff. And Adam returned later with Phil on Guitar and Vocals, Victor on Drums, Des, Bass and Graham on guitar for a truly magnificent version of 'Gimme some lovin'. The groove on this one was spot on and made me sit up and take note.
'The sky is crying'. Superb Blues number but never, to my knowledge, performed by 'Howlin' Wolf'. That is until tonight! Saal, on Keyboards, rolled this one out with a vocal performance that brought to mind 'The Wolfman' himself. It was spooky, like the great man was in the room. Next time Chester Kamen knocks out ' Spoonfull', we must get Saal on Keys and Vocals to impersonate Chester Burnett. It WOULD work, I'm telling you!

Thu 12th. The Tune Inn.
Mixed bag. Up until 10.30 it looked like this would a paid rehearsal, with only Byron on Harp and 'The Tune' regulars and bar staff to keep us company. It was a pity that Byron left a little early, actually, as his playing deserves an audience and it was just as he left that everyone else piled in. Coincidence, I hope? Anyway, a fairly uninspiring night with flashes of brilliance here and there. Raphael, Young Alex, Jonas and Carlos certainly put on a good show and were asked to extend their stay because (1) they were good and (2) there was no one else ready to get up and play. Their version of 'Come together' was certainly a highlight of the month, let alone night with the delicate drumming of Raphael being of particular interest. On the button, lads, on the button. 'Rebel, Rebel', and 'Get it on' were also good. A seventies revival, perhaps?
Mandie G was excellent at close of play with The house band, (as was Stefanos) and Jovan, Kris and Alex gave their usual solid Bass performances. Phil suffered from backing musicians who didn't know the songs, (hands up from me for one, the rest will go unmentioned), and J.J. got behind the kit and once again failed to hit it. Bringing to mind Graham G's line about a mouse and a plump cushion. (He's probably gonna start charging me royalties if I keep quoting him). This is one bizzare drummer, not least because most beginners normally hit way too hard. So........this brings me to the undoubted 'star' of the night, a man who can most definitely HIT the drums. Paul. As well as some excellent playing, he was also on for long periods and back again soon after, due to a lack of sticksmen. He never let up and, in fact, got stronger as he went on. The only drawback is that when he plays, I have to act as 'roadie', doing running repairs to the kit as he demolishes it whilst performing. Paul certainly gave a power backing to Alex, George and Stefanos and they livened the place up for sure. They also did a version of 'Come together' and it was totally different from the take we heard earlier.

Anyone not mentioned, over the two Jams, I aplogise to. No one played bad, well, perhaps one or two, but time is tight, as Booker T used to say, and space is at a premium, (probably Sun Ra).

See you next time ......................Neil.

Tune Inn Jam Thu 29 January.

I see that George has already beaten me to it on the comments page, but this honestly was an incident packed night punctuated by some of the best performances I have witnessed in 3 years of Jammin' with the Global crew. Intense, it most definitely was.
I will accept Georges' compliments, with good grace, allthough I feel that perhaps he should have been there earlier when I attempted to play 'wipeout' by The Surfaris. For those who have ever wondered, you missed a rare opportunity to see exactly why I do not do drum solos. I sounded like a builder falling down a metal staircase with a bag of spanners.
Any way, The reason we were playing 'wipeout' was to apease a, ahem, nutter who insisted that we play 'rock'n'roll' and in particular, 'let's twist again'. This guy could not be dissuaded and he looked llike he wanted to fight over it. We settled on one we knew. Well, I thought I knew it.
After this opening oddness, things went from strength to strength. Byron gave another excellent showing, on Harmonica, with the house band and after we were through the stage was free for the Jammers. Each performance seemed to top the last, and all of this would have been worth paying to see. It would have graced The Ealing Blues Festival. The opening chords of 'Here, kitty, kitty' announced Lallys arrival on stage and he cranked it right up. But no matter how hard he cranked, George cranked harder. This was phenomenal. With Jovan, and Jerome behind them keeping the boiler well and truly stoked they knocked out 4 numbers of absolute devastating Blues and Funk power. Obviously George was just warming up on Tuesday, and Lally had been away too long.
More Blues Funk followed from some welcome newbies, James, Martin and Z, with Paul on drums. Again, powerfull, again, excellent. Things were cookin'. Sometimes you have a 'Guitar night', when the six stringers are on form, sometimes a 'Drummers evening', but tonight EVERYONE seemed to be on it. All who stepped on stage pushed it a bit further. - Moby, Kris, Tim, Rupert, Stan, Andy, Mandie, Ghandhi, (well he would, if he'd been there), Stephanos, (magnificent) and Chester. Mr Chester in fact borrowed a very gay (bright pink paisley) 6 string from Jovan then dissed it on stage completely for having poor pick ups that were howling like the Wolf, before borrowing something of better quality from Moby to complete his set, including the Jazz number that George so kindly mentions in the comments section.
Then with the power still full on, a new element was added to the proceedings. 3 young lovelies who arrived, drank and danced. And boy, how they danced. Suggestive, erotic, and distracting, Tim said to me that it was like 'The Tune Inn' had just become a branch of 'Spearmint Rhino' for the night. Everyones eyes were glued to these girls and, as we found out later, just a little too glued, and a little too distracted. Incidentally, most people entering 'The Tune' this evening were already gobsmacked and double taken by the outfit that the little bar girl was wearing. Modest, it was not. Tongues got trod on.
Just to get back to the performance for a moment, (no, not the girls), it really was a night that never bored. No bummers, no duffers no drunks, no let up, it just rocked. Jerome returned to the stage later to really put it out on 'Heroes', with 3 Leg Dog, and then just after I rejoined the house band things took a turn. Nothing to do with me, though. Our 3 lady friends left the house. And they were not alone. They were accompanied by a Guitar. A Bass Guitar. Z 's Bass Guitar. Much frantic hollering and a wailing ensued and after the realisation that it wasn't coming back, Z was taken to the police station by our underdressed barmaid. What plod made of it all I can only wonder.
So The dog with 3 legs wound down the evening with a last burst of funk inspired Guitar pyrotechnics, and everyone was so pleased with themselves that they stood around chatting for, oooh much too long. And they should be pleased. It's only January. this will take some topping.

Phew, see you soon. .........Neil. I was walking, down the high street............

Tue at The Drayton - 27/01/09.

House Band - House rules.

One of the guidelines I have been given by 'The Webmaster' with regards to writing on this site is not to mention or 'big up' the house band or individual members of said combo with too much regularity. And with good reason too. It could all become a bit matey and be viewed as using the website to booster our own egos. Well, fair enough, but occasionally rules are there to be broken and if I cant mention that one of '3 leg dog' played an absolute blinder this week, particularly on 'Black magic woman', (and it was noticed by nearly everyone in the house), then I resign. Respect for the fellows natural modesty forbids me to mention his name but I will give you a clue and see if you can work it out. It wasn't the Drummer, it wasn't the Bass player, nor the Keyboards or the singer. That you should keep you guessing. Incidentally, the rest of the mob weren't bad either.
Another house rule is that when we have no volunteers, then the house band should perform their duty of backing the 'more difficult' entertainers in our midst. Step forward, if you will, 'Car sick Nick'. I can only say that this it what it must of been like for pick up bands who had to back John Lee Hooker when he was on tour. If any verse has the same amount of bars as the last one, then it's just luck. If Nick ends the song the same time as the rest of us then it must be due to a powercut. But, and this has to be stressed here, this chap is so humble, enjoys himself so much and is always gratefull to the point of adulation for the guys who back him, that I don't see it as a problem. Anyway, he's the only guy who doesn't get affected by my own poor timing. I think we're a match.
So, to the rest of you. It wasn't a GREAT evening, with too much wierdness going on and some of our jammers performing drunk, (it's o.k. it's not a crime), and some players performing faultlessly but without inspiration or verve, but there was (and always is) something to pick up on. My respect for George has been noted on this site, but there are times when I think is voice can be hit or miss and too often, miss. But his playing is not in doubt. His set with Dan was first class whenever they hit the instrumental parts. George really put out a great sound and played his heart out, and was well supported by Dan who took a couple of good solo's where he had the space to do so. Rhythm section was 'on it' also and this sort of music suits Tim down to a tee. I know some punters really loved it 'cos they made a point of telling me so. One said that it was as if he was watching Pink Floyd, only with a cheaper entrance fee.
'Mr Rich' (Chris Martin) was back and I see that he now not only plays like Buddy but has taken to dressing like him. Roll neck sweater and a smart jacket. All he needs now is the Rolls Royce. (IN JOKE ALERT).
I see Martin from 'The Tune Inn' is now becoming a regular at our jams and I liked the way he thanked ME for coming. It would be nice if at my place of work they were so gratefull that I turned up to do what I'm paid for.
Some good stuff happened, some bad stuff happened and I am sorry that I can't mention you all but I must say that is good that we have 2 keyboard players as regulars now. Really fills the sound out and Graeme and Saal can now share the duties. Speaking of Saal he seems to have a good thing going with Alan at the moment and it is always, always good when we have some guys bringing songs to the sessions, ditto Graham G. I love a Jazz instrumental myself but I am aware that it can bore the pants off some people.( Must remember not to ask those people to dinner, as all their gonna here is Jazz instrumentals for the soundtrack).

Next up, The Tune Inn on Thursday. Meanwhile, I'm still thinking, ...............Neil.

The Tune Inn Jam - Thursday 15/01/09.

What price entertainment?

It would be very easy for me to succumb to depression over this Jam, (actually it's easy for me to succumb to depression over anything), but on reflection perhaps it wasn't the disaster that I originally felt it to be. It was, though, to say the least, very odd. Absolutely nothing like this has ever occurred before all together, all at once although we have had various similar elements occur separately from time to time

We have also had some rather odd musical turns from time to time, but nothing quite so out of place as Kuba and Lukas. Rather uncommunicative to begin with, they took to the stage with Jovan and soon lost him, 16 bars in. After 3 minutes of wild thrashing and shoegazing from the guitarist who 'performed' with his back to the audience, and accompaniment from a drummer who seemed determined to beat the kit to within an inch of it's life, Mr F decided that it was time to call time. They didn't seem too bothered. Then we had the rather nice and tuneful acoustic sounds of Nino & Foad? Backed by Kris and Jerome. A welcome downturn in volume, I feel. As the night wore on, more people re-located to outside, which didn't help the atmosphere, but just to make sure the place was well and truly emptied, up stepped Roger. What price entertainment, indeed? I have argued, in the past that Rog is rather liked (? Ed) and at least gives the audience something to cheer about (?? Ed). So too has Graham Goldwater offered a similar opinion. Well, tonight 'The snake' decided to well and truly bite the hands that support him. After asking me for the best musicians in the house to back him, he finally settled on Chao, Kris and Stephanos and deemed them good enough for his backing band. (I kid you not, here). Then followed a truly awful 'Superstition', complete with 'Darkness' style vocals and then some trademark Jazz fusion from Stephanos and co whilst Roger bounced around the stage furiously thrashing a guitar that had been 'secretly' turned off at the amp by someone who I won't name. It took Roger a good 4 minutes to realise that he was disconnected and at that point he left the stage. Sometimes, it's all too much and I was dispirited to see only about 3 punters left inside.
Talking of 'Superstition', this song got played 4 times tonight and must be the new 'Thrill has gone'.
More weirdness followed as Mandie forgot the words to ' River deep' and and just kept repeating that she had a new puppy. By the end of the song, I made it that she had at least eight new puppies. Previously reliable sticksman Jerome also found a way of separating the Rhythm from the rest of the song during the middle section of this one and it goes to show that it can happen to any one. Andy looked pained at what was going on. A complete deconstruction of Ike and Tinas finest.
Big Sean somehow managed to get himself involved in an exchange of words with Guitarist and singer Jon Griffin and after a few expletives, Sean left the bar looking like he wanted to kill someone. Jovan then felt slighted by Jon, (who's a pretty tasty player, by the way) when he was told that he probably would not know the next number so just "try to follow my changes". It was ' You Don't Love Me', a song that Jovan has played around 2000 times. Jovan then Bass soloed throughout the whole song, leaving not too much space for the lyrics to come out!
I could go on, and on, but at least I managed to have a good chat with Tim, whilst we stood at the bar trying to make sense of what was occurring. And some people DID have a good time and there also WAS some good music, but in the main it was pretty disjointed affair. Such a contrast to Tue at The Drayton.
There is NO JAM AT THE TUNE INN this Thursday 22nd but this is because of a previously arranged private party and not because everyone involved in this evening is having a nervous breakdown. (That's just me).

See you soon for more shenanigans. ....................Neil.

The Drayton Court Jam - 13/01/09.

What I love about music has got nothing to do with gear aquisition syndrome and everything to do with triviality. I do not care which wood makes the best sounding drumshell or whether a steel snare sounds better than a bronze one, (Sam Kelly would make a Fisher Price kit sound excellent and I would be just as average a drummer if I was playing a custom built Gretsch). No, what I really love is when someone takes a look at musical history and turns it into a 5 minute piece of joy. That brings me straight on to my highlight of the week. Rick 'the slide', with Bhavesh, Jack and, I think, Jim on 2nd guitar. (Apologies if it wasn't Jim). After telling his band mates the chords and key, Rick launched in to what was surely Marc Bolans finest - "Get it on". 8 bars later, we knew different. Out spills the lyrics to Chuck Berry's - "Little Queenie". And, he kept it up throughout the song. Bolans boogaloo riffing welded to the smart wordplay of Mr Berry. CONFUSION? No, just clever extension of a one line piece of improvisation by the '70's wizard elf. For the young ones out there that don't know what i'm on about, Bolan's "Get it on" fades out to the line - "Meanwhile, i'm still thinking" , which is a direct lift from Chucks "Queenie" and which somehow in the space of two seconds lifts the song on to another level. (It's unthinkable now that it was nearly edited from the recording, it's one of those 'Magic moments' in rock history). This, my friends, is what floats my boat and I'd like to think that it was Ricks idea to mix and match these two songs. No matter if it wasn't, I haven't heard it before and it made my evening.
And a good evening it was too. The aformentioned Jim gave two good performances and hopefully will remain a member of our jammin' community. Also noted were solid performances from Alex, (I just had to put him with Chester, everyone deserves the chance) Rich on Drums, Paul, who unlike SAMSON has not lost any strength after being shorn of his locks, (Mr Power is back), and Mr Harper who put himself about a bit, on keys, and always added to the performance. Desmondo, (that's how he's listed on the sheet) pulled out a great performance with his old mucker, Paul and then was gracious enough to agree to back Roger on a set of increasing bizarreness. 'The snake' left the stage in a huff and said that he wouldn't be back. No explanation, and I don't know what his gripe was but I'm sure that he didn't mean it. Come on Rog, you know you'll want to be treading our boards again shortly. Mornie also left his mark, but unfortunately is becoming known as 'The Karaoke Kid' . He also amused me no end when he asked the house band if they knew any American songs????? Well, we sure as ninepence don't play Kinks numbers all night!
Talking of the house band, Jovan had been on stage for just 5 minutes before he launched in to a Bass solo and even carried on playing after the song had finished. Other than calling the Police, is there any other way that we can stop him? Answers, please to - 'Yes I know how to stop Jovan' . Care of this website.
Almost time for me to go, but I must mention the singing drummer. Mike, or was it Mark? appeared with his pal, Mark, or was it Mike. One sang and played the drums and one played a very small guitar. No novelty act, though. Backed by 3 leg dog, they played two sharp numbers to bring the evening to a very satisfactory close. Oh and a mention too for Saal, looking resplendent in suit (alongside, Mr Falconer they raised the sartorial standard) and giving a performance to match. Keys or Guitar, this guys got it and he is another very welcome addition to our Jammin' crew. Musical standards are on the way up and so are noise levels when Chao, Jovan, Emir, George and Sean hit the stage. But they got the best applause of the evening, so no complaints.

Be seeing you.

Neil.

The Drayton Court Jam - 16/6/9.

"One more drink
And make it long,
I gotta find my baby
If it takes all night long,
One Scotch, one Bourbon, one Beer".

I have been going to various Jams around the West London / S.W. London and Surrey area now for around 4 years and there are some songs that you are always guaranteed to hear.
' Knocking on heavens door', 'Red house', 'Route 66', 'The thrill is gone', etc, etc. You know the rest. '3 leg dog' and Graham's 'House Bandits' always try to come up with something more obscure from the vaults of the rhythm and blues archive, and we are rightly proud of that. But how many times have I heard one of the best R&B songs from the '50's and without a shadow of a doubt the best drinking song ever, knocked out at a Jam. Amos Milburns lament to lost love and hard liquor, 'One Scotch', etc. The answer is never. O.k, O.k., I know that strictly this wasn't jammin' as we know it. This was a well rehearsed band with good taste, but all the same, what a song. My only criticism is, oh, away with you, there is no criticism. Even Gary was surprised at my unrestrained joy at hearing such a gem. He said he's never seen me look happy before. Thanks, Gary!
Actually another VERY enjoyable night although I know that most will not disagree with me when I say that it was as ragged around the edges as a stray terrier. Not every thing worked, is the best way of putting it, but even when it didn't, jammers just came off the stage, shrugged and said 'thats the way it goes'. Long may Rich keep coming to our jams, nice guy, decent drummer, but I think Phil was taken aback at the speed with which the skins man was driving 'Gimme some lovin'. The Welshman was having to drop 3 words from every line just to keep up! It sounded like he had a faulty mic'. Some folks on stage got lost during '3 leg dogs' closer, 'Going away baby', but then if one chooses to play a fifteen bar blues as a Jam, then these things will happen. And if other folks chose to play whilst under the influence of alcohol, then, well, it's not against the law but don't be surprised if you are asked to leave the stage after 2 numbers.
Other things REALLY worked and it was good to see an audience of new faces who had piled through the door to see some of their friends play together for the first time in 20 years. Better still, after their chums had done their bit the punters stuck around and were treated to some fine performances and lots of fun. Dave Dix, a superb Harmonica player turned out to be the 'Showman of the night' as he led the band behind him as only he can. I suspect that Tim does not take kindly to being 'orchestrated' and when Dave's back was turned decided to do the opposite of what he was instructed. "You want me to bring it down low?" "Check out these Bass Drum bombs" "You want a full stop?" "Hell, I'm playing right through". As there was no harm done, it was all fun, and much laughing and sniggering took place out in the audience. Mind you, when Tim played it straight, he got the backing perfect with just the right touch needed for some authentic 'Little Walter' type stylings. Not sure that Fred Below ever did 'stick twiddling' though.
Saal continued his mission of standing in on whatever position needed filling, switching from Guitar to Keys effortlessly and always looking for an opportunity to keep on the stage, and Rick got so excited during one song that he rushed to the stage just to sing 2 lines, before returning to his seat. Could backing vocalists please remain on stage during the performance. Thank you.
And finally, ....knowing how self critical Andy is of his own performances, I would just like to point out that we all think he played fine. Despite an earlier attempt to remove two of his fingers with a knife whilst cutting plastic. Sounds like he's been watching Blue Peter.

See you next time for more fun and drinking songs? ...............Neil.

P.S. GOOD VOICE, BUT CAN SOMEONE HAVE A WORD WITH SEAN ABOUT THOSE SHORTS!

1Tue 3 June 2009.

Yep, me again.
Allthough numbers are down at the Jams at present, one thing was most definitely clear tonight. Quality ruled throughout. Not one duff moment in the whole evening with every one on stage not only playing to their utmost capability but also every group seeming to be well matched, (well done Mr F). The Jamming 'supergroup' - 'Bang to rights' turned in another good performance of well rehearsed songs and when numbers are down we can have the luxury of allowing an outing or two for rehearsed units. Anyway, good stuff it was and it set the pace for the rest of the evening. Eddie and Jeff knocked out a blistering Blues set and thankfully Eddie kept his guitar close to his chest. If you don't know what I'm on about then ask anyone who was at 'The Tune Inn' 2 weeks ago. Still, some great Blues songs were being knocked out here and for a Jammin' band they were pretty tight. Tim nailed it in every way.
Due to the early departure of one of our listed Drummers, Rich got a second crack at stardom later on tonight after a good early showing, when he joined Mr Goldwater for some more of what he does best. As it happens Rich was the right man for the job and allthough Mr G was limited to 2 songs, they were of the usual good taste and high standard. Elsewhere, the mix and match nature of Jammin' threw up some pleasant surprises and there was a very pleasant Jeff Beck moment featuring Moby. With the curent "disappearance" of the likes of George, Rupert and Joe X, it's good that Moby is still here to give us the works with regard to 'Rock/Blues' type meanderings. And I mean 'meanderings' in the nicest possible way. Eddie, Chester, Alan and Mr F seem to have the sole rights to short burst Guitar fireworks and are the envy of a lot of our regular Jammers, Rick is our resident slider and Saal, well Saal plays everything to an equal high standard with sublime succinctness. Graham G is an authentic Blues stylist (in my view) and occasionaly frightens with his intensity. He can play the short game or the long game, but I suspect that he prefers the short sharp shock. In a Guitar battle over distance, I would back Moby and his solos never become boring. One of my favourite pairings at the Jams is Moby with Lally (yes, I know they didn't play tonight). If the songs are right and the moon is full then a good time is guaranteed. Lally will push it out and Moby will bring it back. Graham asks the question, in his latest review, "where does the time go". Well, when these two are full on, 'Time' goes to recruit some extra help. When the contrast is as good as this though, who cares where the time goes.
Anyway, my watch says time has run out so I will just mention, quickly, the last performance of the night from '3 leg Dog'. Augmented by Alan on Guitar and Jeff on Harp with Saal playing keyboard, I thought that it could all get overloaded. Six, yes 6, of us on stage but I fully enjoyed it. A lot of short solos to get in but no one got in any body elses way. 3 fantastic songs later, we finished right on time as the last chords rang out on the stroke of twelve. Yes, where does the time go?

Neil.

a.m. does4/05/2009 - Thursday - The Tune Inn.

A welcome return to Global Jam for Fretless Andy as stand in Bass player for 3 Leg Dog, due to the departure of Kris. And an immediate first. How many Bass players have been asked to turn their volume up? Most of our room shakers normally try to vibrate the recently inplanted fillings from my dodgy teeth, but not Andy. Classy and smooth, as ever, his playing is never in doubt, but for the first two numbers I thought that his amp had blown a fuse. Andy, of couse was a regular back in the old Kings Head days and I wonder what he made of 'The Tune'. Particularly when a scuffle broke out near the door area mid evening. Some disgruntled punters who were refused the chance to see the new look 3 Leg Dog, no doubt. The ever present doorman couldn't quite control the invaders so Mariola stepped in and saw them off double quick. What a Gal.
Last week at The Drayton we had a shortage of Bass players and now tonight we had a shortage of drummers. So that left me as anchor, (yeah, go on, put a W in front of that if you must), for most of the evening until Gary noticed a guy sitting at the bar with a bag of sticks who hadn't put his name down. Taking a chance that he wasn't just a passing tradesman in drum paraphenalia and might actually fancy a go at the old 'skins', Gary persuaded him to take his place on the drum stool. Good he was, too. Played for some time, which gave me a break, and seemed well capable in the art of hitting things in the right order. (Pity he wasn't on the door earlier). By sheer bad manners I have completely forgotten his name so apologies to him for that.
Also on stage for most of the evening was Moby. We didn't seem to be short of six stringers so I can only guess that after each set he just walked round to the front of the queue and went back on again. Crafty. Still he seemed to be enjoying himself and when he enjoys himself, we enjoy ourselves. Not only a good player but he doesn't feel the need to blast everyone to oblivion. Well, sometimes, perhaps, but not tonight. Volume levels all round this evening were quite comfortable. When you get to my age these things matter.
HEY, FELLA'S, Guess who's got a new Guitar. Yes, Mr 1 Guitar Goldwater, (or 1 guitar G, as we know him) has splashed out on a new axe. Attempts to find out some technical details by Mr Andy Falconer were less than successful. Either Graham doesn't talk about these things or he knows as much about the technical side of Guitars as I do about Drums. I suspect the former, actually but whatever, it sure sounded good. Even to my uneducated ears. Now he needs a new acronym to stick on the front so he can be pestered by more people asking, - "what does that stand for?" Actually there's an idea, G. Why not put WDTSF, on it.
One thing that stood out this evening was the fact that as well as musicians, we had a good ammount of casual punters just along for the music, the ambience? And the fighting, probably. But, to be serious about it, the place was nicely full by end of evening and everyone was enjoying themselves. Conversation at the bar was lively with discussions about Chesters entry on WIKIPEDIA, (well worth looking at), the absence of some long term members, the popularity of The Blues in a club in Acton, and who would win in a fight between Sean and Mariola.
Good to see Young Alex back in Acton, and supportive as ever was the aforementioned Mr G. I can only apologise for not attending more of your Jam sessions at the Drayton, but in mitigation, rising at 4.30 every weekday and 6.00 at weekends, eventually takes it's toll. Finishing at The Tune, at 1.00 n't help either, but in this case people were having a good time, and You don't stop when people are having a good time.
Finally, I'll just mention that it was good to hear another of my Blues favourites tonight, the rarely heard - Key to the highway - It perked me up no end, as me old Dad use to say. More rarely heard Blues classics, please.

.......Next time ................Neil.

The Jams - Last Tuesday, Last Thursday week.

If you look hard enough, there is always something odd going on at the Jams. Take the player lists for last weeks 'Tune Inn' and 'Drayton Court' sessions, for instance. We have lally who has put himself down for banana harp. Stefanos is listed for tromboline? James? is down for piano, when we didn't have a piano there, and Tim (drummer) has offered his services as 'armpit' player. Then there is what's actually going on, on stage. Old friend Liam, who has perservered with enormous concentration and patience to become a regular at the Jams, and is now receiving comments of encouragement from fellow players, was the first drummer I have ever seen to turn up at a Jam session with his own rack tom. Snare drum? Yes, many do. Own stool? Same again, Bass drum pedal? Likewise. But rack tom? er ummmmm?? This, he proceeeded to mount on a snare drum stand and position it like an extra floor tom, and then played through 2 numbers without hitting it, until the last few notes of the last number when he beat the life out of it. Very interesting. If your reading this Liam, and I know that you do, please let us know the answer. Is it a favourite part of your kit, perhaps? A tom that's been faithfull for many years? Do tell. On the same evening, Tim found the opportunity to finally use that cow bell that he has been lugging around with him. - Honky tonk women -. Of course it needs a cow bell. With Liam on drums, Tim was there like a shot. A surprised Mr Falconer was alerted to something going on when he suddenly heard a sharp ringing in his ears. Not a fan of extra contraptions or additions to a drum kit at the best of times, he looked rather pained as Tim beat a mean rhythm on a tin livestock alert tool.
And how about Pauls Drumkit demolition derby at 'The Tune Inn' on the Thursday before last. Again, an absolute first. He went through 3 pairs of drumsticks over the course of one number, destroying the last stick on the last hit of the song. For an encore he deconstructed the hi hat stand 'live'. What a performer. Variety is not yet dead.
Good to see Saal at 'The Tune' this week. Last week it was Alan. Next week should be Rick, by my reckoning. Perhaps if they get their act together the whole band might arrive on the same day! We have a stage waiting for you lads.
Numbers are still depressingly down, but last Tue at 'The Drayton Court' was a very enjoyable nights Jamming indeed. Good songs, fine performances and an appreciatave audience. The evening was recorded by Mr F, essentially for the benefit of 3 Leg Dog, but I'm sure that there was some other interesting sounds captured. It was also filmed by Kris, who surely caught Tims explosive ending when he launched a drumstick as far as the curtains at the back of the room. These drummers are getting dangerous. Talking of Kris, he's off to Poland for a short while and what a way to bow out. The ONLY bass player at the Jam all night, his only relief from 4 string twanging came when Alan stood in for a set so Kris could grab a pint, a cig, and some fresh air. Where have all the low end merchants gone? Surely Jovans Wednesday Jam is not completely over run with Bass heads.
Of note this week are 'turns' by Mel, Mandie, Eddie Angel, (fine, fine, player), and Gary Gibson (who belted it out in fine 'rock 'n' roll' style, 3 times this week, including at'The Globe'), and our 2 resident Harpists who can both play The Blues, and then some. Lally was also on rollocking form, at 'The Tune'. He can play a bit, you know.
Graham is band leader at The Drayton this week, and Andy 'Guitar' Falconers 3 Leg Dog will host the next one at The Tune Inn on Thursday. Come join the bands. .............Neil.

O.K., So we're back on line and if there was a time for the site to crash then this was it. It has been pretty quiet for the last few weeks and as well as audiences being pretty sparse, we have also seen an abscence of major players. Holidays probably, or reccession Blues or folks just being busy with their own gigs, Jams, etc. That doesn't mean that we have not had some great moments though. And unusual ones also. Paul the Drummer taking up the microphone, for instance, to sing - 'Horse with no name'. Strange song, this. Like Sean Hughes once said - " Look you're in a dessert, you've nothing to do. Name the f *****g horse!". We have had some sensational Drumming and some strange Drumming, a chronic shortage of Bass players and an influx of 6 stringers, ( check out Eddie Angel, he's a mean Blues stylist). We've seen people come and go and some long term friends have been worryingly absent. Rick, Alan, Jack, Saal and Paul continue to impress with their little band, (and Alan mightily impressed us all with his unexpected, top drawer performance at The Tune Inn last week). He even managed to get an improved performance from our long term punter, Liam, on the drums, before giving me the chance to join in on the fun. And it was fun.
Harmonica players are beginning to come out in force, a bit like they are 'in season'. I must polish my gun. But, no seriously, though. I must polish my gun.
Jan (fiddle) has bade us farewell, for the time being as he has had to go back to his homeland for a short while and we look forward to his return. Amazing talent and a thoroughly nice bloke. What's the Polish for bloke, by the way? His time with us has seen him turn in some incredible performances and everybody enjoys jammin' with him.
During the time that Global Jam has been off the air obviously we have not been able to get reviews out, but one performance that most definitely warrants a mention is that of Jerome, Kris, lally and Dan, a week or so ago. Powerhouse stuff from J, dextorous playing from K, more 'Kitty' based shenanigans from Lally, and a very good performance from Dan who despite playing some great stuff, still felt the need to hide behind the stage pillar. Even an attempt by Alan to shove him in to the spotlight failed as Dan remained firm whilst knocking out a fine solo. Nice try, Alan, but I reckon next time you might need a Bagnell fork lift truck. (whatever happened to Lansing, by the way?) This was a very concentrated, full on, piece of live improv. very impressive.
We can resume full reviews from now on, but, HEY, let's not forget about the comments page. I have missed reading the various witty ways you have of getting your point across and the long debates about biscuits. Let's get back to buisness.
For those that don't know, 3 Leg Dog are playing 'The Globe' in Brentford, on Friday 1st May and we are also running the Jams on Thu 30 April and Tuesday 6 May. We hope to see you there.

It's good to be back, as Gary Glitter once said, and I once again look forward to communicating with you on a regular basis.

All the best ................Neil.

Tue 24, 'The Drayton', Thu 26 'The Tune Inn'.

Apologies in advance for this review, but the simple fact is that on Tuesday I felt so completely sick that I really failed to notice most of what was going on, and on Thursday I just had a good time and forgot to take notes or names. Don't know what it was that laid me low and finished me early at The Drayton but I got it bad. Felt close to collapse with the band when we backed Nick. Not sure who was more guilty of bad timing. Me or Nick. We were both so 'out' that we nearly came full circle and joined up again. Remember 'Readers Digest' Condensed books? That horrible idea where a classic novel is cut down drastically so as to encourage idiots to read them? Well Nick has his own version of condensed songs. Just remove half the words, cut the bar lengths by a third, here and there, and only sing one chorus. Don't bother with an ending, just stop. Guitar solo's are also abrupt due to Nick either forgetting where he is during his own or by cutting in during somebody elses. I've said it before, and I'll say it again. I've a lot of time for Nick. He is humble, gratefull, and an absolute regular. Sometimes he's better than othertimes, and anything we can do to give him his 5 minutes on stage, I'm happy to go along with. Some Jams, (a lot of Jams actually) wouldn't do this. I just hope the audience are as tolerant.
We had a new chap in who accompanied Welsh Phil on a few numbers with Rich, on Drums and Jack on Bass. He was a good player and a bit of a showman. At one point he bounced around the stage so much that Phil had to take over the vocals as our newbie bounced well clear of the mic and wouldn't have made it back to complete the lyric. Quick thinking, Phil. Saal gave us another couple of good performances, one on guitar, one on keys with his regular buddies, Rick and Paul (where was Alan? Not another holiday?) and I have to say that it's good that these talented players chose to keep coming back. We have some real regular units forming now, who are all prepared to play with others as required in a jammin' situation.
After this it all went a bit hazy, so I made my excuses and left it to all the drummers who had gathered this evening. A room full of talent.
The Tune Inn. - An absolute enigma. Not the best music venue, and a place that can wind me up some times with the management attitude towards the house band. But a lot of amazing things happen here on stage, and tonight was no exception. A good start from 3 leg Dog, who seemed well on form, (despite Andy's later statement to me that he felt that he didn't play completely well, to which I reply 'tish and pish', absolute nonsense), and our guest member, Moby showed that he's not only a good player, but he seems to be keen on what we do. He's gone and learned our songs! After that the evening moved along nicely with ups and downs and moments of sublime brilliance. Sometimes the volume gets a bit too much but there's not a lot we can do about it other than monitor it and request that folks turn down their instrument. I do sometimes get home with a headache and I don't want to take to wearing earplugs. I find it hard enough understanding Welsh Phil as it is without having an obstruction in my lugholes.
Phil was back again, with a good set of his own and then turned up later, on Bass, for a wig out featuring Jan, the magic fiddler, and Mr Hot on Guitar, Voytek on Guitar, and Paul on Drums. Phil looked like he really enjoyed this one and why not? Lots of good fun going on and some great interplay between Guitar and Fiddle. Phil was able to relax and go with the flow. His own set was tighter than normal and that's because he had some sympathetic players with him. Too often he finds himself with guys who aren't driving the same road. Incidentally, his version of 'Unchain my heart' has grown since he first brought it to the Jams and with Paul behind him now the song has real power and direction. Paul seems to be behind everybody these days. Good on him.
The 2 highlights this evening were both IMMENSE. Neil on drums, (that's the other Neil, the one who can play a bit and then some), gave a modern Jazz masterclass whilst playing with Stefanos, with Alex on Bass. This fella is an absolute whirlwind, like Chao, and despite the fact that I know that not everybody is impressed with this type of music, you just HAVE to be impressed with this level of talent. Given that we had the same names, how could I possibly, even in my dreams, follow this? I had the answer. I put someone else on. Which leads me to the second and I have to say, my favourite highlight, (just about). Steve (on Drums), Jovan, (Bass), Voytek, Igor, (Guitars), Jan, (Fiddle) and Yam Aha (Keys). A 20 minute blast through what sounded like Polish wedding folk music played by The Dammed in a rush, this was exhilliarating enough as it was, played with unusual time signatures and performed without a safety net, but the real topper, the REAL topper, came midway through the second number when the mighty Igor abandoned his guitar for a few moments to entertain us with an impromptu and wholly entertaining little dance. I am still smiling now as I write about it. Jovan was so amused, he forgot to take a solo! This was surely entertainment as it is meant to be. Joyous, harmonious, energetic, (o.k. entertainment doesn't HAVE to be energetic), and played with great skill and bravado. I remember the days when Igor used to sit in the audience at The Kings Head and no one knew that he could play the guitar. Now, he is a respected player on Bass or six string and has developed a dance routine.
Old 3 Leg Closed the show, with Graham G as Guest guitar, (it's funny, he does brilliantly week after week with the same Guitar, and others seem to have a problem deciding which one to bring along, and then sometimes need a small truck), and then began the tortuous process of prising recompense for our efforts, from the management. I think that Andy does a great job of running these Jams and he manages to keep eveyone happy. Kris, myself and Gary also contribute (and Graeme, at The Drayton) and I think, (I know) that we bring people in. I wish that sometimes the people that run these places would think about who would come through the door on a Thursday evening if it wasn't for the music and an opportunity for players to have a go up there also.
Anyway, enough of that. 2 good nights of Jammin' again and some good feedback from punters. We must be doing something right.

See you in a couple of weeks at The Drayton. ......................Neil.

Tuesday 10 March 2009

10.55. P.M.

Tired and hungry, just a little weary of the relentless onslaught of volume breaking like waves on to a gathered throng only too eager to soak it up like a beach in surf city, I made my way towards the door marked exit and ascended the stairway in search of relief for all of my senses. Clean air, silence, and across The Avenue an illuminated sign in garish yellow plastic spelled out the words 'Fish and chips'. and 'takeaway'. I stepped over a blue bucket and a kneeling proprietor. He was cleaning up, and shutting down but I only wanted my fill of hot vinegary deep fried potato chips, wrapped in grease proof paper and still steaming from the big heat. I was served quickly and with a smile. I ate quickly and with an inner glow. From back across where I had just submerged I could hear the distant yet clearly audible strains of 'Gimme shelter'. The 'Stones' finest, performed with panache. Up above The Drayton Court Arms a full moon lit up the night sky. A clear, round perfect ball of light blue illuminessence, streaked with silvery threads. The haunting guitar riff complimented the victorian vampire imagery as a night cloud drifted in front of earths nearest satelite.
And................YOUR BACK IN THE ROOM!
Where was I? Oh yes, yet another splendid nights entertainment at The Drayton Jam as some of of our finest musical friends gathered for an evening of Blues based musical fun. We had some great drummers in tonight but the standouts were Paul and Stan. Our other tub thumpers seemed a little subdued, (except for Jerome, I don't think he knows the meaning of the word), but Stan really let rip with his performance with Kris, Voytek, Chester and Jan. Perfect balance, correct volume and precision timing, Stan came across as the perfect guy to have behind you. Jan and Chester shook the room up with some more fiddling and string bending and could you have a better accompiament to Jans frantic violin sound than Chesters pitch shifting and sound effects. No, Is the answer by the way. Paul showed his power is perfectly matched with Alans totally driven and precise guitar solos and Ricks soulfull slide licks. Saal filled the sound with a perfect keyboard groove and Jack, well, Jack we know is dependable and what do you know? He has another new bass to show off. Where does he keep them all? A nice light blue one. Blue like the moon that overshadowed the vast dramatic structure that is The Drayt ......Oh, nearly went under again then.
Listen up, this was a good night and more than a few people told me so, Rick kept the barman happy by playing a request ' Down at the doctors' and therefore kept me happy in the process, (Dr Feelgood, best white Blues band ever) and everyone seemed to have a good time whether in the audience or onstage. Moby and Rupert gave us some quality guitar playing again and it's always nice to see them share a stage, but lets not forget Dan. He has been coming to the jams for a long time now and while we see him less frequently these days he gave a good showing tonight. Particularly his set late on with Alan, I think. Incidentally, Alan seems to have listed himself on the 'other' section of the musician/instrument sheet as on 'Magic'. Well, I saw no Rabbits pulled from hats and no one got sawed in half, but he can't half play a bit, so perhaps that's what he meant. And so can Dan. Pity he doesn't throw himself forward more, but I guess in some respects we have enough showmen already.
It was Young Alex's band, 'Stanley Gardens' that gave us 'Gimme shelter; and that takes us back to where we came in. Or I went out. No reflection on them, but I WAS hungry.
Thursday at The Tune Inn was a real mixed bag and no mistake. Great performances from '3 Leg Dog' (1st set in particular), Moby, who waited patiently all night for a return visit to the stage and joined the house band for a storming finish, (but a pity we peed about with 'Black magic woman') and Stefanos and Alex turning in their usual funk filled Jazz oddysey, with George cranking things up whilst Paul kept the power moving forward. There was, however, also some rubbish, it has to be said and neither, Nino, Paul or Young Alex came out of their set with any credit. Woefull, I'm afraid. Also some performances were a little too stretched out this evening even if well played.
Birthday boy, Lally also stretched things almost to breaking point, but 1, it was his Birthday and 2, he had the good sense to reign it in each time it reached the tipping point. I know he sure worked me and Kris hard and I think 'Here kitty, kitty' was the longest single song I have ever played.
The Tune Inn itself has to take some (dis) credit for the whole feel of the evening. I wish that they would turn those T.V. sets off once the music starts, or have just 1 in the corner of the room. I dont know whether any one else agrees but it doesn't have the serious musical atmosphere of The Drayton. However, like I said it was far from all bad with some good playing and a lot of good humour off stage. Perhaps I was just hungry again. I could have gone in search of another chip shop, but you know, strange things happen.
Next week, G is running Tuesday at The Drayton and There is a new kid in town at The Tune Inn. Jim, I believe his name is and he will be offering his own brand of Blues Jam. 3 Leg Dog are back the week after, first off at The Drayton. See you there.

Neil.

Is it the onset of wintery nights or because of the previously talked about closure of other local jams that we suddenly had a full house on Thursday 8 October, at The Tune Inn?
Whatever, it was a good jam, although sometimes a little bit odd. We have had a good run at our sessions of NOT having drunks carrering around the place causing mayhem, but tonight two such inebriated characters decided to take their chances as crooners without waiting for invitation. The list is there for a reason. We like people having a good time and I'm sure that the bar owners like people having a good drink, but just jumping up on stage and joining in is not to be encouraged. Fortunately, these guys were so far gone that dealing with them was easy. Lally just barking F*** OFF into the mic until one of the guys got the message, (nice stuff, lally, I like the way that you inserted your interjections into the basic rhthym of the song) and Richard had a more physical way of dealing with the situation, pushing the other guy off stage with one hand whilst still strumming with the other. Mr Falconer then rounded them up and told them to behave.
Later on we had the magnificent sight of two young polish women arguing so loudly that they could be heard over the band. Some feat, when Lallys on stage. Mariola it was, this time, who stepped in to the fray and invited the lasses to leave the premises. She was rewarded with a mouth full of abuse and plenty of hand gestures. Nice.
Talking of Lally, it was a nice choice of song that he kicked off with, - 'Breathe'. Good to hear this Pink Floyd number rather than the ubiquitous 'Comfortably Numb' or 'Another brick'. But why did he feel the need to put his Guitar in to Interstellar overdrive. The number was well played, (of course), but ever so slightly unbalanced. To be fair he did catch up with me later and explain that he had just left the amp as it was when he jumped on stage. The previous player must have been the one who was volume crazy. Honest guv.
Some guy in tonight that I haven't seen before. Alix, on Flying V Guitar. Red hot player, too. And a good and eclectic choice of songs. I particularly enjoyed joining him for 'Papa was a rolling stone', with Jovan on Bass and Eddie Angel on the other Guitar. Then we did some Blues and nothing suits Eddie better. And then some funk. Yeah, I enjoyed that set.
Big Sean was in the house and it was another session that I enjoyed. With Andy on Guitar we ran through the old chesnut, 'Knockin' on heavens door'. Easy song to play but everyone seemed to give it a boost this evening. The only problem with having so many singers in, is that Gary didn't make it back to the stage. And I know that he was just dying to get on and sing some WHO numbers that he had learnt.
As well as Guitar man, Alix, we had a another newbie in tonight and that was a young lady with a magnificent sounding pocket trumpet. Pity, though, that she was a bit shy of it's sound and wouldn't get close enough to the mic for all it's glory to come through. Pity, also, that she couldn't have got a band up there that might have knocked off some jazz. Nice.
And another newcomer:- John Scott, on bass. Don;t know where all these guys are coming fron but let's hope that they enjoyed themselves. Surely they did. Who doesn't enjoy a night at Global Jam?
Stan, Paul and Liam were the sticksmen that allowed me to take a break this evening and at the risk of sounding patronising, Liam is finally beginning to get a run of decent performances. He even backed Alix and Moby tonight and those are two good players requiring a decent backing.. These three are now real long term regulars and my only worry is:- Where's Tim? The stick twiddler extrordinaire has gone awol for a consiberable time now, and we would all love to see him back in the fold.
Some good keyboard stuff going on tonight with Saal and Richard supplying the grooves and I do love the sound of an Organ behind some this Blues stuff. Funks it up a little.
Just though I'd finish with a big thank you to those who turned out to see 3 Leg Dog at The New Inn. Good to see some friendly faces and your support is always encouraging. One thing bugs me though. When will Paul stop asking, in all seriousness, when it was that we decided to do a version of "that song that Moby used to do, 'Feels like rain'". AHEM, may I just point out that we were there first and it's a great song and I'm glad that others have noticed our good taste and have been influenced by it. Paul, your a friend and I will always stand you a drink but you are driving me mad with this question at every gig. Perhaps we should drop it and start doing that Jeff Beck instrumental thing.

Anyway, good to see you all and keep on Jammin'

Neil.

Dear Globaljam

Just thought I'd mention the great night out at The Barley Mow, in Shepperton, last Saturday, (5 Sept.).
Bang To Rights, our dear old jammin' friends fairly tearing the place up with a well recieved set. I did wonder, though, if I'd walked in to a Pink Floyd reunion by chance. Where did all those lights come from? It's hot enough in there as it is without all the bulbs you could possibly need for a hollywood film shoot. Someone asked me how I managed to keep my jacket on. It was melted to me. I had to peel it off later with the assistance of Susan and a wallpaper scraper. Good to see the lads turning in such a good set though, and it looks like we could soon be following each other around the gig circuit. The Barley Mow is a good old fashioned boozer and they are not afraid to cram a band in to the corner and allow them to let rip. I look forward to our 3 Leg Dog gig there on the 19th. Alan, Rick, Jack, Graeme and Paul, - hats off to you and keep rocking. ....................Neil.

Welcome back my friends to the show that never ends
We're so glad you could attend
Come inside! Come inside!
There behind a glass is a real blade of grass
be careful as you pass.
Move along! Move along!

Come inside, the show's about to start
guaranteed to blow your head apart
Rest assured you'll get your money's worth
The greatest show in Heaven, Hell or Earth.
You've got to see the show, it's a dynamo.
You've got to see the show, it's rock and roll ....

........Well, I don't know that a blade of grass has anything to do with anything, but rock 'n' roll returned to the Tune Inn last Thursday,(27th August), when some old friends made a welcome return and a right old racket. Coincidentally, the Global Jam web site made a comeback also, having been parked in the sidings for a few weeks due to technical reasons. Wrong kind of leaves on the broadband, you know the type of thing. Anyway I have been checking in regularly to read whatever anyone has sent in or entered, but ........nothing. Looks like it's down to me again. Fair enough, but don't get upset if I slag off your Guitar playing or drumming or choice of song, trousers, beard, whatever.
No chance of that here and now, though. It was a good night. LOUD, but good. What was evident was a good return to jammim'. O.K. so we all of us had some well known songs we knocked off, Moby, Lally Andy, Graham, all giving us what we know, but in amongst it was some real off the cuff moments of musical magic, madness and mayhem. And the known songs were sometimes given a slight twist just to keep everyone on their toes. That includes the audience. It was real good to hear Moby again, 'cos the boy sure can play. And play, he did. Now, if I get a few mentions in this piece, don't be surprised, because for a large portion of the evening I was the only sticksman in the house. And I sure paid for it later in the week. That drum stool has to go. On to a skip if possible. My back is killing me, and not softly. Anyway, I enjoyed my stint with Moby, and the jam that we kicked off with was very refreshing. Slightly messy but what the hell. Next couple of songs got tighter, and it's fair to say that all enjoyed themselves. Moby seems so laid back, that when he turns to give you a direction, it's more of an invitation. No tension comes to the fore and the relaxed feel works through to the rest of the band. Phil also joined in the jammin' fun and 'Green onions' may be an old chestnut, but who doesn't like playing it? I know that I do and if you have someone like Saal on keys driving it forward, then yet more fun comes your way.
I have jammed with Lally a few times and I know that he can really push it out if he want's to, and I'm not just talking length wise, (is it me, or is this all going a bit - ooh,er missus). Sometimes he get's massively fired up and absolutely pushes a song in to next week. That happened tonight and guess who was on drums again? Jazz Alex was beside me on Bass and, interestingly enough, I had to the right of me Mr 'Guitar' Falconer. Now this made it entertaining. I can follow Mr F and he knows that the slightest nod from him will tell me where we are going. Sometimes not even a nod. Just a glance. Sometimes not even, ......well you get the picture. 'Here, Kitty, Kitty'. We've all heard it. I've never enjoyed it so much. Whilst the song powered along on a straight line, it still managed to keep vibrant and alive as it went up and down like the pistons on the 'Flying Scotsman'. It was like a tour through the undulating hills of the English countryside on that magnificent giant of steam. Andy followed it with a funk number led by himself, and the guitar interplay was exciting and intense. Alex, also was heavily involved and it's a bit like having the boiler stoked by Geoff Capes. (Admit it, I'm losing you now).
I was sure glad to see Paul walk through the doors, as it was time for me to have a beer. Graham Goldwater was in the house also, and I have said it before and I will say it again. I like his style. Not just his songs, but his willingness to 'just have ago' sometimes and see what happens. His guitar playing sounded sharp tonight as well. That Steve Jones, type of 'in your face' freshness, but with a Blues edge.
Other good stuff happened. Young Alex on bass, on duty for most of the evening and showing no signs of fatigue. It's what being young is all about. And Gary Gibson, still keen to belt out the old numbers and keep us guessing as to which order he is going to sing the words in. Lucky I always keep a set of lyrics in my wallet. ('in joke' alert). Seriously, though, it's always good to see Gary at The Jams and I can remember the days when he used to be a semi regular. Now, I see him more than I see my other half.
Back to Paul. Great drummer, and it was mentioned to me tonight that he is looking a lot happier lately now he's in 'Bang to rights'. Good for him, and you can catch them this week at The Barley Mow in Shepperton on Saturday 5th September.
Time to wrap up. If I've forgotten anyone, well maybe next time, eh? Have to mention, as did a few from the stage, that it was Andys Birthday, and he looked like he enjoyed himself. I enjoyed a glass of sparkly with him later at the bar, courtesy of Bobby, (what the f**k happened there?), and we all wished him a good one.
Let's hope that we can build on this in to the winter. When it's cold there is nowhere better to be, than at globaljam.biz, brought to you by our good friends at The Tune Inn bar and girl. (shouldn't that be Grill, (ed)) .

Till next time, when the night time is the right time. ...................Neil.

The Tune Inn Jam - Thursday, 9/7/9.

The dawning of a new era (just like the old era) was ushered in under the cloak of darkness last night with the return of the 'Supergroup' concept. 'House dog' featured Graham Goldwater of 'The House Bandits', Neil Pearce of '3 leg Dog' and Alex Cromley who has performed with both bands on house duties at The Drayton Court and Tune Inn Jams. Superstar Guitarist Chester Kamen completed the line up. Plans to perform a 42 minute concept piece as an opener to their set was ditched at the last minute when they hadn't come up with anything. An expected tour was also cancelled as the Drummer said that he "wanted to spend more time at home reading a book".
After a slightly dodgy opening, much delayed due to technical problems (much thanks to Chester K for knowing which end of a lead is which), the band settled in with some laid back grooves with a country and western bent. Taking it down and building it up again was very much the order of the day and the 2 lead men certainly built it up with some fine soloing, but not battling. Each one knew when to lay out when the other stepped forward.
A packed house of 6 people made it very difficult for 'house dog' to leave the stage as quite simply it was hard going to try and put another band together, but thankfully Mr G knows more songs than the Tin Pan Alley songwriters collective. (Song divison).
Eventually we got some new guys up, a Bassist and a Guitarist, oh, and the ever present Moby. We had some good Blues and some good Rhythm and also one of the worst performances of the night. - 'Feels like rain'. When a band consists of 4 members and half of that foursome have never heard of a song and one quarter say's that he "only plays 12 bar Blues", it's probably best to give it a miss. However, that said, and all that, I did say ONE of the worst performances. Not THE worst. That was to come later.
Liam rejoined us this evening and enjoyed himself immensely when he was dancing with some girls. We enjoyed it when he was dancing with some girls also.
Ocassionally, some things happen that makes one wonder if we are all on the same planet. Just such a mysterious moment occured midway through the evening when Saal, backed By Graham, (Drums), Vladimir, (Guitar), and some others, was given the chance to solo on the keyboards. However, this was a REAL solo as the band declined to join him. Chuntering to a halt, they left him naked and alone. When they decided to rejoin him they came back at half the speed with which they had left. Laugh? I nearly did.
After a late influx of punters, things really took off. We had folks dancing and everything. Sat, as I was, on the drum stool, I glanced behind me to see a crazed loon grimacing at me through the windows. This was one mad evening.
Good song followed good song and the mood was one of joy. Then Chester launched in to 'Rolling and tumbling' and things went odd. (Yes, THIS was the worst moment of the evening). Most peculiar, Mama. Whilst Chester played one song, myself and Alex played another. Grahams Guitar interjections seemed to wind up Mr K who looked like he wanted to shoot someone. Throughout all this madness, folks kept dancing. Ah, the wonder of cheap booze and drugs. I think it may have been easier to dance to rubble being tipped. Still, everyone seemed to enjoy the evening in general and that includes the musicians.
Perhaps we can all meet up again some time and do it again. I am sure we will.

Neil.

Hi,

The review for The Drayton.

Drayton Court 'Jam' Tuesday 30 June.

First off, an admission. I bottled it. Not done it before but I bottled it. Andy said that the evening would be closed by Chester, Stefanos, Jovan and Myself. Faced with the prospect of having to hang on to the rhythm whilst Chester took us on a Jazz odyssey, I decided that I would be better off seated in the auditorium. I passed the duty on to Tim, who I felt could handle it if things really took off. Chester then gave us a Jazz/Folk drone based on Dock Boggs 1920's Hillbilly ramblings. I think I would have struggled. I now have to live with the fact that I turned down the chance to play with 3 of the finest musicians at the Jams on stage together. That's life. The boy Tim done great. The three cogs revolved around his central spindle, imitating the workings of a fine wristwatch. An eerie, spooky 'tune' that was pushed one way and then pulled another, like the tide at the mercy of the moon. 'Gypsy woman' followed and this was a straight Blues performed with real power, yet finese. A fine, atmospheric closer to a satisfying Jam.
Sometimes, running these Jams is a tricky business and you ocassionally need a degree in diplomacy. I came close to teaming up Dan with Eddie Angel until I remembered what happened at The Tune Inn a few weeks ago. Guitars and heads are expensive things to mend if they come in contact with each other. So I kept them apart and a strange symmetry occurred. Dan is normally reluctant to give us some showmanship and so, as ever, played well but hid behind the stage pillar. Guess what? So did Eddie. Not normally shy, he performed most of his set sat on a chair and out of view. Answers on a postcard please. Another 'moment' was the 10 minute feeling of anxiety that I had when I realised that Glenn had not played yet, and I had to give him a slot. Turned out to be no problem. Last week he was, apparently, on the verge of destroying the drumkit due to the influence of alcohol. This week, his playing was fine, and superbly complemented his fellow players.
Good performances from Rich, and Lee also made sure that the drummers did not go unnoticed tonight. Rich was solid, and Lee was adaptable, and gracious enough to leave the stage temporarily for, ahem, technical reasons, before returning with Jack to supply rhythm for Andy F.
Rick brought some friends along but unfortunately not all of his band turned up so he had to Jam with everyone else. Fair performance, good songs.
Moby, excellent, as he always is, but I would love to have seen him engage with Eddie for some Guitar Pyrotechnics. Not his fault though that, as mentioned, Eddie decided to have a little rest. On stage. So Moby battled it out with Geoff, on Harmonica, who was also brilliantly on form. I was watching this one from the side of the stage so it was a bit like one of those concert videos with multi camera angles. Exciting stuff too. Though not for Eddie.
Quick mentions for Young Alex and Saal who both played splendidly for the house band. Good show chaps.

It was a good night, but obviously the bar staff didn't think so. Clearing the tables away during a performance is just bad mannered in my view, but is what we have come to expect. The overall attitude at The Tune Inn is far more welcoming. By now you should be aware of goings on at The Drayton Jam. See the comments page for more.

Hopefully, I will be joining you all again in the near future 'cos it's more than just the music that matters nowadays. You are good company and we have a chat and a laugh and a drink. What more could one want? See you soon. ................Neil.